World Economy, Rights, and the Cultural Sphere

Lecture Series On World Economy

worldecon_cov

I am reading Steiner’s lecture series on World Economy. It has been important to me to understand the three ideal ordering spheres of contemporary society in order to better understand the role of the cultural sphere, which art is a part of. It takes a long time for me to let things sink in. Within the cultural sphere, I participate in education, the arts and science in my own small way.

I want to understand the interrelationship of the 3 spheres of human activity. One of the reasons I took up teaching was to to try to free myself economically so that my art would not depend so much on sales, that and the feeling that I finally had something to teach that might benefit my students. I also felt I could now reenter the world as it is. Working in a historic village for 19 years hid the truth that my heart, soul and mind were modern and contemporary, despite the apparent anachronisms in my work.

I am not apolitical but politics and the realm of rights is not my main focus, though I am involved to some extent, and cannot help but be aware of current political issues. I see much of the art that is critically acceptable today as overlapping into economics and the realm of rights and politics. I am uneasy with art not playing, primarily a cultural and ultimately spiritual role in human development. However, I celebrate the present eclecticism and range of contemporary art.

I have done a few political pieces in the past. One was recently accepted into a juried exhibit.

 

 

 

 

 

 

 

 

“Make America Great Again”, Political Jug with All-Seeing Eye, 8 inches X 5 inches, ceramic, cone 6, gas fired, reduction stoneware, with local mesquite ash glaze and low fire decals, 2018

Here is my explanation of the piece:

“I teach in a contemporary university but have a background and reputation as a traditional potter, versed in Americana. When I was doing this piece I was thinking of our present political climate, rampant conspiracy theories reaching into the occult foundations of democracy in Free Masonry, but also of the traditions and pugilistic nature of our politics of the past, where liquor bought votes at the polling booths, and fights often broke out. Then there is the history of the all-seeing eye which includes imagery from pre-Columbian indigenous cultures, including the southeast where I am from.

So much is backwards from what we might wish for our struggling democracy. What does it really mean to be ‘great’, as opposed to the least common denominator present in clichés that, if not devoid of meaning, are merely synonymous with ‘power’ which was never really what made, or makes America great. It is also a little bit of a joke”

 

 

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